I apologize for the recent lack of content. I have been pretty busy this past weekend at a book fair, shilling my story, and hanging with friends. Furthermore, nothing came out that really struck my fancy. Red Sparrow looked like another boring spy movie, Death Wish was a remake, and A Wrinkle in Time was clearly not made for me. This week shows promise and I have another Netflix review in the works. In the meantime, I built a thing.
I am of the opinion that every movie, book, and videogame is an experiment by creators. Rather than do the same thing over and over, they attempt something new with follow-up projects and sequels. Whether it is to test new mechanics or challenge themselves, experimentation in the arts is key to future success. When I decided to start building scutums, I went through trial and error to nail down a process that produced the best results. Even after I succeeded I knew I could do more and change up the formula to make it better.
There were a number of elements I wanted to address with this new Centurion Scutum (CS): weight, handling, appearance, and painting. With the commission I was given after my first, I found using thinner panels cut down on the total weight and made the shield easy to carry. However, I used fence slats that were 4” wide, which made them 1.5” bigger than the cross beams holding them together. The steps on the beams are 2.5, leaving enough room for overlap, thus more protection. More overlap made the panels flimsy because they do not have enough support from the beams. I should have double pinned them to the steps, but there was a risk of cracking the beams. Instead I made sure to cover the steps in extra glue to secure the panels.
To solve this problem I decided to make the new panels 3” wide. On top of that, I wanted to give the CS a curve and the top and bottom. I do not know if it is historically accurate, but I borrowed the design from the show Rome where Verinus and other Centurions used a curved variant of the scutum. The problem was the segmented design would throw off the curve. Because they are staggered across the beams on the steps, the line of the curve would break between each panel.
This was partly why I elected to paint the scutums after assembly rather than before. I knew if I applied a pattern on the panels laid flat, the inside edges would be hidden by the overlap, covering an otherwise complete design. Because this new shield was an experiment, I elected to test this theory. I also added a laurel crown around the eagle and reversed the blue/white color scheme. I was inspired to make white the primary color from a painting of Caesar in combat on foot, which he did on occasions like at Pharsalus. Apparently the painting was of the Battle of Alesia, but I do not know if Caesar was actually with his men during the final battle.
After assembly I took account of the results. The curve was inconsistent, but only at the two side panels and not to the extreme I suspected. One problem I found was the pattern. Not only were the designs broken up across the panels, parts of each one were hidden under the panels or too far apart to look correct. All that survived was the thunderbolts, eagle, and SPQA. The stars and laurel were more or less destroyed. Lastly, the total weight of the CS was significantly reduced at the cost of making it smaller. It could still provide adequate cover, but a little more would have been better.
With these failures I have learned a lot. I feel more confident about painting, determined the proper size of panels, and I now know that I can make a curved variant that does not look terrible. Moving forward I understand more about the construction process. There is always room for improvement and I cannot wait until I am inspired to try something different again.
(Muh book: http://a.co/gR6nlr7)