Punisher Comics Review 6

Season two of Daredevil herald the coming of a new incarnation of Frank Castle, the Punisher, played by Jon Bernthal. The character has his own series on Netflix and it remains to be seen if Bernthal can keep up the momentum. Since my blog’s inception I have used it to examine the character and express my fandom, but I never talked about the comics that inspired me. And so, I will dedicate a new series to covering my favorite Punisher stories.

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The Slavers (2005)
Garth Ennis
Leandro Fernandez

If you were to compare Frank Castle to a movie slasher, Michael Myers is a perfect match. They are both shapeless entities with a singular drive, operating on instinct to get what they want. Where they differ is Frank has a defined moral compass, but remains an emotionless automaton. Nicky Cavella came close to getting a tangible emotional reaction out of Castle, but pissing on the corpses of his family was not enough. What came next would ultimately do the job in one of the darkest Punisher stories ever written.

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Lining up his crosshairs on a Balkan crime boss Frank prepares to do what he does best when someone tries to steal his kill. A lone woman nearly kills the boss before fleeing the scene. The boss sends his boys to get her, leaving him alone for Castle to perforate from his rooftop perch. Tracking the woman Frank contemplates abandoning her before the boys catch her and drop their pants. Castle makes quick work of them, saving the woman from humiliation.

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On his way out the woman begs for help, but Frank wants to stay out of it until she mentions a baby. The next day the woman wakes up in Castle’s subterranean home where she tells her story. Her name is Viorica and she lived in a village in Moldova before she was kidnapped and forced into prostitution. After enduring months of abuse and selling her body to multiple men on a daily basis, she was sent to America as a part of a larger operation run by a Romanian father/son team and a woman named Vera.

After the move Viorica gave birth to a baby named Anna, but she was only allowed to see her if she worked hard. Desperate to escape with her child, Viorica ran away and met a social worker named Jen Cooke, who was building a case against the Slavers. One day, when Jen leaves the baby in what she assumed was a safe place she gets an email from Vera meant for Viorica.

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A dead baby is more than enough motivation for Frank to rip and tear. All he needs is a who, what, and where. While telling her story, Viorica laid out the details of the operation. The Slavers have middlemen to attract clients before sending them to discreet locations where the girls are held. One of the middlemen was the boss Castle deep-sixed beforehand, leading him to the man’s club for answers. Wiping out the remaining gangsters, Frank interrogates the boss’s replacement, and gets an address.

Posing as a driver for a pair of clients leaving the house, Frank pulls over the van and makes them an offer. He wants the clients to tell him everything and then to lie to the house guards about losing their wallets once they drove back. The clients oblige until a cop shows up, siren blaring. Intent on sparing the officer Castle puts the fear of God into him before fleeing, the cop’s arrival no doubt spooking the Slavers.

While trying to get information on a new house location, Frank butchers random pimps until he realizes they do not know anything. He later tracks down Jen Cooke to get something more and she gives it up without protest.

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Tiberiu and Cristu Bulat ran a militia of foreign fighters during the Bosnian War. As they massacred whole villages, the militia took the young women, and killed the rest. Castle assumes once stability returned to the region, the sex trade would be difficult to maintain without NATO intervening. So, the Bulats took their operation underground and moved west. Frank realizes trying to get more information from veterans of the Yugoslav Wars would take extreme measures and plans accordingly.

Following up on a potential location from one of Jen’s rescues, Castle heads into rural New York in search of a house on a lake. Watching from a distance he spies a squad of heavily armed men enter the house, Cristu among them. Knowing they were ready for him, Frank knew to come at dinnertime, and spike their stew with a knockout drug. Soon the whole house goes to sleep and he gives each of the men a twelve-gauge face-lift. The only man to survive was Cristu because Frank needed answers. What followed is one of the most disturbing pages in comics.

 

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Having gotten what he needed Castle makes his way back to the house when he notices Tiberiu and a dozen men had arrived. Apparently, the father came to kill the son over a business dispute. Frank takes the smart route and hides under the cabin’s dock, hoping to given them the slip. Without a second thought he decides to go loud and gives the closest man a 45-caliber castration. Frank opens fire topside until he realizes he is not fighting street trash. The Slavers are real soldiers with more than a decade of experience. As Tiberiu gives orders the soldiers overwhelm Castle, forcing him to dive into the lake.

After returning to the city he meets Jen at a diner with two off-duty cops, Russ and Miller. They came to her after learning Jen was under surveillance by a Detective Westin, a known shitbag. Russ and Miller eventually reveal Westin is on the take from the Slavers. The cops agree to help, but on the condition that the Detective lives. Frank agrees and moves to pull apart the remains of the operation.

Making his way to a business office Frank confronts Vera, the brains of the Slavers. Plunking her two guards he throws Vera face-first into the window of a secluded room. The glass does not break, giving Frank enough time to reveal how much he knows after dissecting Cristu. He throws her again and again, slowly turning her face into a bloody pulp, while looting filing cabinets for information on Westin. With his final throw the window pops out its frame and Vera plummets to the street.

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Vera’s files give Frank the address of the last house and a possible location for Tiberiu. After setting up an explosive under the manhole by the curb of the house he waits across the street for the old man’s arrival. Triggering the bomb after making a positive ID Frank charges inside. He chases Tiberiu to the top floor where he uses a girl as a shield, knife to her throat. The old man eggs him on and Castle knows he is at a disadvantage with a scattergun. Out of options he settles for a gamble and calls Tiberiu a coward in Romanian. The old man tosses the girl aside and charges Frank before Tiberiu takes a knee to the face.

Later, with Tiberiu chained to a chair, Castle brings in Detective Westin to make a deal, threatening him with Vera’s file. Frank offers to surrender the file if Westin delivers a package to the Bulat’s contacts back home and acquires Visa’s for the rescued girls. Westin asks what package before Frank turns on a video camera and douses Tiberiu in gasoline. Sparking a flame from a flip-lighter Castle looks into the camera and says “Don’t come back here,” before tossing the lighter.

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The Slavers is Taken if it were a horror movie and actually good. It shines a light on the darkest criminal enterprise in the world and makes sure you see every detail. While acts of sexual assault are not shown on the page, the description and implication thanks to Ennis’s unparalleled storytelling makes you feel all sorts of uncomfortable. Unlike the usual story arcs, trafficking and slavery is very real, and having the Punisher in the middle of it was surreal to say the least. Instead of cartoonish gangsters and run-of-the-mill thugs, Castle is faced with real monsters that make their money on sexual violence.

If you cannot stomach sexual assault and/or violence against women, stay far away from this book. For Punisher fans, get ready for Frank’s most visceral and disturbing story yet.

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One thought on “Punisher Comics Review 6

  1. Superb images and undeniable descriptions that create both imagery and emotions. My favorite giggle-invoked stimulus is “he gives each of the men a twelve-gauge face-lift,” hands down. Thanks for the share!

    (When a sentence begins with a prepositional phrase, don’t forget the commas.)

    Still, I loved it enough to continue reading your work. Great job!

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